The big book of homelessness

A Book of Ours, Projects

Press Release

The big book of homelessness

People who are homeless in Manchester will make a medieval-style illuminated manuscript, describing their lives, in a 2-year project by arts organisation arthur+martha that has just been awarded funding from the Heritage Lottery Fund.

Homeless lives don’t appear in any history books, but the Quilt of Leaves project aims to change that, with nearly 200 participants constructing their own accounts of homeless life throughout the year, with artwork, poems and songs to illustrate it.

rose print

‘Flower’, mono print on recycled book. Molita M. Part of the ‘Homeless Library Project.’

Artist Lois Blackburn from arthur+martha said, “These stories are part of our wider society, they just haven’t been heard yet. We feel that people with lived experience of homelessness have a huge amount of insight to offer us all. We’re delighted that we’ve received this support thanks to National Lottery players. We can’t wait to get started.”

Philip Davenport from arthur+martha adds, “We chose medieval manuscripts to inspire us because they’re among the first history books, and this is the beginning of homeless history in a written form. Those medieval manuscripts were the property of influential people, decorated with rich colours and gold lettering. we want to give this history the same treatment, make it the kind of book you can’t ignore.”

One of the main partners in the Quilt of Leaves project is The Booth Centre, a resource centre for people who are homeless and at risk of homelessness in Manchester where many of the workshops will take place.

we accept the little

‘We accept the little we have.’ mono print on recycled book. Anon. Part of the ‘Homeless Library Project.’

Notes

About the Heritage Lottery Fund

Thanks to National Lottery players, they invest money to help people across the UK explore, enjoy and protect the heritage they care about – from the archaeology under our feet to the historic parks and buildings we love, from precious memories and collections to rare wildlife. www.hlf.org.uk. Follow us on Twitter, Facebookand Instagram and use #NationalLottery and #HLFsupported.

About the Booth Centre

The Booth Centre brings about positive change in the lives of people who are homeless or at risk of homelessness, and helps them plan for and realise a better future. They do this by providing advice to find accommodation, education, training and help to secure employment, free healthy meals, support in tackling issues with health and addiction, and creative activities to boost confidence and self esteem. The Booth Centre is an independent, registered charity (no. 1062674)

Our ladies of the War

Projects, War Widows Stories

The Union Jack Club in Central London is a quiet pivot at the centre of British history. It is the club where people connected to the armed services traditionally come to stay when they’re in the capital. These doors have admitted corporals and Queens, generals and ghurkas. When you enter, you see wooden panels carved with the names of the heroes and (rarely) heroines of a hundred-plus years of wars. Colonial wars, anti-fascist wars, Cold War, the War on Terror, civil strife in Ireland, strikes against Iraq and Afghanistan. There are paintings of men on horseback, men in helicopters, jets, tanks, camouflage and bright red cavalry tunics. The library has deep green leather seats, and around you are the books that tell of these wars, titles like The Fall of Berlin, Rat’s Tales, Raiding the Reich, or No Time to Wave Goodbye.

breakfast

But we are not here to talk about battlefields, we are here to talk about their consequences.

Lois and I are staying at this iconic club to meet the group of women who run The War Widows’ Association, women whose remarkable lives bring a different perspective to those same battlefields.

Among the medals and the honour calls, they’ve also displayed great bravery in the face of conflict — but their stories are unheard, do not exist in the museums, are not recounted in the histories. And we are very privileged to be invited to take part in the first-ever gathering of their stories. Being arthur+martha, our contribution to this wider War Widows Stories will be a collaborative quilt and poems, that complement the oral history recordings and wider research currently being made by Dr Nadine Muller.

But today is a day for hellos, getting to know faces and gather ideas to fuel this longer conversation. The occasion right now is an evening meal for the regional managers of The War Widows’ Association: the big, bustling group is full of energy, jokiness, and a vibrant camaraderie as we sit down for tea. The cliche of widowhood is somber and soft-spoken, however this evening was spent talking loudly, eating heartily, laughing loud.

And yet, as we talked, other resonances came into the conversation— flashes of sadness, anger, my own memories of growing up around soldiers, and my mother who is also a widow. And suddenly this space, that seems so certain in its carved memorials and its place in history, is full of questions. And we wonder how to speak about it…

Philip Davenport, Oct 2018

 

Lois Blackburn introducing the art making to the War Widows’ Association. Photo courtesy WWS.

arthur+martha give thanks to our supporters for this project Arts Council England, the Arts & Humanities Research Council, the British Academy, Liverpool John Moores University, Royal Museums Greenwich, the Imperial War Museums, the National Memorial Arboretum and the Heritage Lottery Fund.  

Listening to the Unheard

The Homeless Library

The Homeless Library is about to hit the road again, this time we are off to Brighton for an exhibition of The Homeless Library is the iconic Brighton Dome Tues 3rd July to Sunday 22nd July.

The Homeless Library is a collection of handmade books, created by people with lived experience of homelessness. The books include interview extracts, poems and art describing their personal histories and those of the people around them.  Much material was placed online, in blogs and a free ebook. The Library exhibition launched at The Houses of Parliament and the Southbank and toured nationally, with homeless people reading their poems and sharing their books.

We are also delighted to be taking part in the Listening to the Unheard, Practice that works. A free event at First Base Day Centre, 10.00am to 5pm. The workshop will share experiences of Travellers and rough sleepers in Brighton and Hove and offers for discussion conclusions and content based on field research with Irish Travellers and rough sleepers.

As ever when packing up the The Homeless Library for the exhibition, different books jump out to me. This time it was ‘Just me in my sleeping bag’ made by Nicola. (Pictured here) Around 1 in 10 homeless people are women.

History from the inside

Books and publications

THE WARM /&/ THE COLD

History from the inside

“Testimony forged into art…” Ian McMillan

A unique, many-voiced history told in poetry and art made by homeless people, older people (many with dementia) and young offenders launches at Manchester Central Library on 10 June 12-4pm. The event is part of Manchester Histories Festival 2018 Celebrations Day.

THE WARM /&/ THE COLD is an illustrated poetry book by many authors. Hundreds of marginalized people have collaborated to makepoems, artworks, and quilts, ceramics – all adorned with their life stories. Arts organisation arthur+martha have worked for several years with diverse communities in North West England: an alternative history of British life, insider stories that find nothing new in austerity, but have plenty of survival tips.

alice and cut up

Artist Lois Blackburn: “Sometimes you’ve just got to pin your heart on your sleeve and say who you really are. We’ve been privileged to share these moments with the people who’ve contributed, its history told with inside knowledge. On some days this project has been heartbreaking, but many times it has also been a joy.”

Embroidered into quilts, written onto tourist postcards, made into tattoo designs, and ceramics designs, and printed as posters, these poetic testimonies stretch outside the usual arena of literature, to include people whose words and very existence are often unrecorded and ignored.

Steve and Andy

The book launch links to a song and visual performance at The People’s History Museum on Monday 11thJune, lunchtime 12-1 with artist Lois Blackburn (arthur+martha)  singer songwriter Matt Hill/The Quiet Loner, of the new work ‘Moving Panorma’.

Poet Philip Davenport: “Our work follows an ancient tradition of passing on people’s history through poems, songs, artworks and stitch. It also continues the work of people like Ewan McColl and Charles Reznikov, who shared people’s words in the form of poems and songs, as a form of protest. The launch coincides with our 11th birthday as an organisation — and I can’t think of a better way to celebrate the moment.”

naughty boy

The illustrated poetry book has been funded by the National Association for Literary Development and gathers hundreds of the collaborators within its pages. It also includes a Foreword by Ian McMillan and Afterword by Jerome Rothenberg; the project was helped by poets Stephen Emmerson, Dr Scott Thurston, Steve Giasson, Rebecca Guest and copland smith. THE WARM /&/ THE COLD has been made possible by longstanding arthur+martha partners The Booth Centre homeless day centre.

 

Launch date: Manchester Central Library, 10 June 12-4pm

Book price: £10

 

Sushila

 

Notes for Editors

1) This event is part of Manchester Histories Festival 2018, the 5th edition of the Greater Manchester-wide biennial festival with the theme protest, democracy, and freedom of speech. Delivered by Manchester Histories the 2018 Festival will offer a long-weekender of music, film, debate, talks, performance, walking tours, arts and more. Visit http://www.manchesterhistories.co.uk

2) The Booth Centre brings about positive change in the lives of people who are homeless or at risk of homelessness, and helps them plan for and realise a better future. They do this by providing advice to find accommodation, education, training and help to secure employment, free healthy meals, support in tackling issues with health and addiction, and creative activities to boost confidence and self esteem. The Booth Centre is an independent, registered charity (no. 1062674)

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Save the date

moving panorama

Panorama expo invite3

You are invited to a Lunchtime celebration and performance of the arts project Moving Panorama, on Monday 11th June at The People’s History Museum, 12-1.00.  Moving Panorama is the latest collaborative project with arts organisation arthur+martha, Singer Songwriter Matt Hill/The Quiet Loner, The Booth Centre and The People’s History Museum.

Further details will follow shortly. But for now, please put the date in your diary and share it with interested colleagues.

Supported by Arts Council England, The Booth Centre and People’s History Museum.

Getting in the zone

moving panorama

Roy is someone who has really engaged with this project and has come back each week. Over the past weeks I’ve really seen him grow in his confidence as a writer. This week he told me how much he likes “getting in the zone” and he arrived at our session with some words he’d been working on following our visit to the People’s History Museum last week. He’d spent time looking at the sabres that were used in the Peterloo massacre and that had led him to write this.

Peterloo you needed a shield
Cos sabres the yeomans they did yield
They left a claret-stained Peter’s Field
But the working class will neva yield

Campaigning man – Sam Bamford
Marched to Manchester – what a hoard
To put his case to the manor lord
who sent in yeomans with sabre and sword
left lives and limbs hanging by a cord

As you can see here Roy is really drawn to rhyme and his poems have a distinct style in that he uses the same rhyme scheme for each line of his verse. This structure really works for him and he has embraced it, so it’s now very much his signature style.

As a songwriter rhyme is very important – the repetition of vowel and consonant sounds helps fix the melody. So for me it’s been great to work with Roy as his words fit very easily into melody. But such an approach to rhyme, also brings restriction, you are tied to the scheme and so your brain has to be able to think very creatively to continue to tell the story.

Johno and danny

Roy and Danny working on the ‘Dust’ panorama

Roy works quickly and has a fast brain which is well suited to this style but he’s also very willing to re-work. He’ll often hand me a piece, then take it back, scribble out and re-write. The great Paul Simon once said “A good song is not written, it’s re-written”. As the weeks have gone, that willingness to edit and adjust, has helped Roy mature as a writer and I think that shows here in his use of phrases like ‘claret stained’ and “lives and limbs hanging by a cord”.

Roy tells me he’s a big Clash fan so I’ll be listening to London Calling this week and hoping we can find a Strummer/Jones flavour to the next song we write.

roy drawing

Roy working on the ‘Dust’ Panorama

Matt Hill/The Quiet Loner writing about the arthur+martha project Moving Panorama, supported by The Booth Centre, The People’s History Museum and Arts Council England.

Dust

moving panorama

There are moments in life when it all comes together.

Yesterday afternoon, our group where lined up along a large scroll of paper, deep in the most dynamic, joyful, playful responses to our song ‘Dust’ you could hope for. At times laughing and chatting, at times silent engrossed in the pleasure of charcoal and pastel, mark making, the lines dancing accross the sheet.

Johno and danny

It was the hottest day of the year (so far) the subject matter felt appropriate, we talked about the dust kicked up on a summers day and beyond; the star dust we came from, the dust we turn at the ends of our lives… dust created from our skin, the dust carried from one city to another on our feet, the dust of history.

This was an afternoon of the art and the art makers letting go, freeing up, relaxing, and vitally- finding a way to really connect to the music being made. We listened to Matt singing the song ‘Dust’, and people responded on paper, it wasn’t precious or over thought out, but more instinctive and free.

IMG_5995

One of the joys of working in a group on one single piece is the confidence you can gain from others. I include myself here, it can take me a while to loosen up, but working with others inspires, cajoles and gently challenges.

Matt and I found a rhythm in the management of the workshop to, yesterday it suited the session for Matt to be able to work one-to-one with people- a luxury you wouldn’t get in a session run by one artist/songwriter… One-to-one means you can give undivided attention to someone, can see progress in confidence and skills so much faster. In addition its a wonderful thing being able to offer people a choice of activity. One participant who has been reticent about writing on previous sessions, started in the morning and with very little encouragement wrote all day, as the day went on we saw a real breakthrough in their writing, there was a passion to get down thoughts, examine memories, play with words. And then the obvious delight in having these words sung back to them.

We will have to wait to hear that song. In the meantime, Dust.

 

DUST

lyrics by John and Vincent

 

I was born as a child

Had no sense of direction in life

I created my own storm

But the storm created dust

 

Dust, dust, dust

 

I realized motivation

Is a part of my creation

I believe that growing up

Created an unstableness

 

And I couldn’t see much through the dust

I couldn’t see much through the dust

Dust, dust, dust

 

I was born surrounded by paradise

Where everything was there for you

Coconut tress, Mango trees,

and the Soursap breeze

 

Dust, dust, dust

I couldn’t see much through the dust
I couldn’t see much through the dust

Dust, dust, dust, dust, dust

Dust, dust, dust, dust, dust

 

Tell the sweetest fruit on the tree

of all the Birds I have seen

that Every years a mascarade

Beware the Mirrors on the face

 

sweetest fruit

As we were clearing up, Danny and I were chatting about the project and the after affects:

“That’s what happens with your sessions, I’ve got ideas in my head I want to get down now.. I’ll go and sit in the park and write.” Danny

Artist Lois Blackburn, writing about the project ‘Moving Panorama’, with The Booth Centre and The People’s History Museum Manchester. Supported by Arts Council England.