The making of the Book of Ours is a favourite moment of the week. On Wednesday we were based at Back on Track It is impossible to predict what will happen next. Some days, like today, it brings together people in extraordinary closeness and kindness. Other days, the gates of mayhem open, letting anger and despair pour through — and we work to stay afloat.
We are helping to document the lives of people who are up against it, people who’ve experienced homelessness, supporting them as they filter their experiences through artwork and poems. The book starts with a calendar, a whole year with six words dedicated to describing each day. The days that people write and draw about often delight in life, particularly times of new growth. The days that children were born, the flowers and budding trees that mark the start of Springtime, times of recovery — and always the great joy of sunshine. But they also talk of deaths, of times spent living on the streets, of addiction, of violence, of incarceration.
Today’s was a day for Springtime. The gentle pleasures of a garden being jump started by daffodils, the trees returning to life like old friends. A grandfather busying among the flowers. It was a quiet session, punctuated by people making little affirmations of happiness. Two of the group members said they were surprised by how energising the work was, how it brought pleasure rather than tiredness. And listening to them was, in turn, a pleasure in itself.
Sue working on the September page of ‘A Book of Ours’.
This arthur+martha project is the making of an illuminated manuscript, at Back on Track, the Booth Centre support centres in Manchester. It will gather together significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as “homeless” when they are so much more. Supported by HLF.
For our first workshop for ‘The Book of Ours’ at partner venue Back on Track, we revisited the calendar we started in the Booth Centre. These pages document significant moments in the writers’ lives. It’s a kind of group poem and like all poems it has rules. One line of the calendar is allocated to each day of the year and each line has to be six words. Woven around these words are thickets of images and colour that enrich the text and deepen the meaning.
Chris working on December page
It was a pleasure to show off the work we’ve done so far to a new group and even more of a pleasure to see them dive in themselves, writing a new layer of experiences. The pages of this calendar embrace delight and sadness, dark days and light. Today’s writings were jaunty. From shopping on a Saturday morning, to the joy of “dragon’s blood” raspberry sauce on an ice cream. From marking a 60th birthday (prize gift a potato peeler), to the little-celebrated drama of hailstones on a window.
Other days in the calendar touch on the harshness of homeless life. But today, we shared the charm of small things.
Sitting together, we chatted and the ideas slowly formed, words took their order. Next, the trying out of many pens to see which size and shape fitted the hand best. Then tryouts of the six word line, carefully inscribed to get the words fitting nicely into the space. Not too teeny, or scattered, not too squeezed. Then at last the commitment to the page, taking a place among the writings and drawing of all the other makers. The nervousness, the rush of excitement that comes with a finished line. Like stitches in a tapestry, the pieces slowly grow.
Afterwards, as we packed up the pages and paints and scattered writings, we asked Patrick how it had been:
“It’s my first time doing any of this sort of thing — enjoyed it. Art, poetry, never did it at school. At school didn’t learn much. Here, I’ve enjoyed, people don’t rush you. Stuff like this, you like to take your time. Me, I love doing it. We’re all adults, but we’re all always learning…”