Spring Greens

Necklace of Stars

“I’m still tired, but feeling positive now. I really appreciate this, the chance to write the poems. When life has been harsh to deal with, it’s helped.”

(Participant)

One of the things I have witnessed over and over again is that making art, writing poems, stitching embroidery, can help to unpick despair. Nobody really knows why, there are lots of theories. At times making a poem or an artwork is simply a distraction. It takes the mind onto other things, stops those restless thoughts chasing each other and becoming frantic.

Art can also help understanding. Writing a poem gives your thoughts new shape and perhaps allows new answers. An artwork is a representation of the world and connects you to it more deeply. Slowing yourself down to the intricate pace of an embroidery gives you time to meditate and find a richer texture in the whole of life.

“I’m feeling my way forward, using my poems as a guide.”

(Participant)

Making things not only shows the exterior world, it also reflects the inner life and makes it richer, brighter. If you can, take a little time to live with the prose poem below. It’s a celebration of trees, the wonderful, familiar friends that I often don’t give a second glance. But here they’re transformed by the poet’s eyes — into furniture, into children begging for pennies, into a swirling cloak that becomes an old coat, or into old pale bones against a winter sky. As well as trees, all the seasons of human life are in this little poem and so it helps me to appreciate my own. And for the makers of such work it is transforming too…

“I found this to be very useful. More than useful, brilliant in fact.”

(Participant)

 

Spring Greens

 

The Hollies are still wintergreen, come spring, leathery, shiny-tough, reliable as upright chairs in their utility upholstery.

Plum and cherry let the March winds take their snow and ruby blossoms from them, holding out small fingers for their fee, which came in copper verdigris and silver tarnish, well-used coins and promise of paper money for the fall.

Oak begins leafing out from nowhere, fine, fresh, lettuce-like, so young.

Sycamore sings, spreading hand spans which unfold into a summer cloak whose generous swirls conceal old mossy coat.

Beech, whose bones arched stark against the pale, cold, winter sky, now shimmers in the heat, the flesh full, lush, deliciousness.

 

Linda

 

Today’s blog was written by Philip Davenport, arthur+martha.

A Necklace of Stars, is supported by Arts Council England, Arts Derbyshire, DCC Public Health and Derbyshire County Council Home Library Service.

 

All these things whirring

Necklace of Stars, Projects

For some people, lockdown is a blessing and for others it’s a struggle.

On the face of it, we have peace and quiet and an ever-stretching holiday. But underneath those things are nagging worries: fear of infection, fear of unemployment, fear of those around us, fear stoked by the media…

“All these things whirring.” (Participant)

And yet birds are singing, the air is purer than it has been in decades, the roar of traffic and the thunder of aeroplanes has quietened. The timid creatures that we share our world with have started to assert themselves again. Carparks have become wildlife habitats, the woods and moors are a sunshine paradise.

Today my phone calls with participants in the Necklaces of Stars project reflected the strange doubleness of this time. People have thrown themselves into making poems and songs. They have space and quiet to concentrate and so they dig deep, take journeys, into their deeper selves.

 

fine stitching, star, Joan

Detail, embroidered shooting stars, Joan Link, A Necklace of Stars 2020

 

Their poems appear in the Inbox each day. They’re funny, sad, thoughtful, kind-hearted. Some of them have pasted a grin on my face, others touched me beyond words. It’s good work. And they are rightly excited:

“I have never had this feeling before, where I have let the poem take me over. This time I’ve trusted it and jumped in. Let the form take me and learned from it. I used to treat poems like they were a competition to win, a test. I didn’t ever really let go. Now I’ve got many, many ideas, and I want to do them all…” (Participant)

 

“I am so pleased, so very pleased, to have done this, I was unsure at first but I’ve loved it. I had doubts about myself and my work, felt silly and slow. It’s wonderfully reassuring to be told it’s good, to know it’s reached someone else.” (Participant)

Today also brought tears and shakiness from some. The disquiet underneath the quiet is taking its toll. For those who are isolated alone, solitude weighs heavily on the heart. What is life if it isn’t shared? The missing are missed terribly.

 

And so we talk about…

 

Hope to see your face again in the mirror

On reflection let’s hope the sadness is gone

From the dark shadows where hope is fading

Replaced by radiant rainbow beams of hope.

 

Tricia Clough

Joan B star embroidery

Embroidered shooting stars, Joan Link, A Necklace of Stars 2020

Today’s blog was written by Philip Davenport, arthur+martha.

A Necklace of Stars, is supported by Arts Council England, Arts Derbyshire, DCC Public Health and Derbyshire County Council Home Library Service.

The state of things

Here Comes the Sun, Necklace of Stars, Projects, quilts, Whisper to me alone

“..I’m glad you like it as it was a joy to stitch. Your idea just sparked something inside me, making me want to do some stitching which was very welcome as I’m finding it difficult to settle to anything at the moment.”

Participant, Here Comes the Sun

 

Sara Scott Sun2

Sara Scott, Here Comes the Sun

 

I’m beginning to hear recurrent themes in the feedback to our two current projects Here Comes the Sun and A Necklace of Stars.  Many of our participants are finding it difficult to settle to anything. People describe having fuzzy heads, being overly tired, difficulties in even making even small decisions.

 

“What’s stopping me? It’s the state of things, I’m normally busy, involved with other things.  Normally I paint and paint and sew and sew, but I haven’t in ages. It’s been very, very strange. I can go outside, and talk to my neighbours, and clap for the NHS, but it’s the first time in my life I’ve been like this. I need something to give me a kick up the backside.”

Participant A Necklace of Stars

vintage dyed pillowcase

Here Comes the Sun. Vintage pillowcase, dyed, ready for embroidered poetry.

 

But counter to that, I have had heard from many other people saying that doing something creative is helping them re-focus and spark something in the brain. How interesting our brains are!

For many it has given a prompt to create something with embroidery for the first time in many years and connect with different generations of the same family:

“Thank you so much from my daughter and I for encouraging us to dig out my late grandmothers stash of embroidery threads to choose some sunny colours for our sun quilt squares. My grandmother was a very enthusiastic and skilled needlewomen and she would have loved the idea of this quilt…. (about her daughters embroidery) It is a while since I picked up an embroidery needle and as my stitches show I am more than a little rusty (for which I appologise) I have, however really enjoyed focusing on something creative during these strangest of times. We look forward to seeing the finished quilt.”

Participant, Here Comes the Sun.

One of the delights of the projects is the way news spreads by word of mouth. Having a project to work on gives us all opportunities to think, talk and focus on something different with friends and family, an escape from the news, and Covid. 

Have shared widely, and this has kick-started a WhatsApp group, as I was asked to set up a crafty one a couple of weeks ago. We can encourage each other daily in there and do other bits and bobs too.

Participant, Here Comes the Sun

What a beautiful idea. I’m definitely going to do this, and share with friends

Participant, Here Comes the Sun

 

Catherine's sun

Catherine Tombs embroidery for Here Comes the Sun. 

But there is always more sharing to do, the more people engaged in our projects with different perspectives on life, the more exciting and greater the depth the project our project gains.

Everyone signed up to our project A Necklace of Stars is currently housebound. Many where before the lock down. So far we have worked with people aged from 65 to 90. Many haven’t done any embroidery since school, but some are very experienced and confident in the creative arts. Everyone has a unique way of looking at the theme of the stars, everyone a story to tell.

Phil and I continually look at ways we can make the projects accessible to everyone, whatever their circumstances. Thanks to support from Arts Council England, we’re thrilled to be working with Booth Centre to invite people who are, or have been homeless to join in. They are being invited to draw suns that our volunteers will stitch on their behalf, a kind of art commissioning without any money changing hands. In addition I will be sending out packs of needles, threads and materials to people at the Booth who want to have a go at sewing themselves. I’m so thrilled to be working in this way and can’t wait to see how it progresses. 

Sarah B's sun

Sarah Burgess, embroidery for Here Comes the Sun.

Todays blog was written by Lois Blackburn, lead artist arthur+martha

A Necklace of Stars is a collaboration between housebound, isolated older people in Derbyshire,  arthur+martha,  Arts Derbyshire   DCC Public Health and Derbyshire County Council Home Library Service. 

Here Comes the Sun, A quilt in the time of Covid 19. Part of the Whisper to me Alone project.

A space to be normal

Necklace of Stars, Projects, quilts

All the structures of everything have gone. My brain space is in a muddle, little decisions have become difficult… I’m finding my brain is to busy- this (A Necklace of Stars) has given me space to be more normal. It’s a very interesting effect, it’s kick started me again.” Participant.

 

So much of this new project  a Necklace of Stars feels so familiar, the wonderful mix of participants,  bringing a wealth of different skills, experiences, levels of confidence, everyone bringing something different to the mix.

Many of the participants haven’t done any embroidery for many years. One women sounded very unconfident at the beginning of the conversation, not even wanting to do her own drawings:

 

I’ve not done any embroidery for donkey’s years, I used to do tray clothes, and ragging- hearth carpets. I’m not crafty-  but this sounds brilliant.” Participant

 

Jennens Liz

Liz’s embroidered square for a Necklace of Stars

 

Then much is surreal- our encounters are over the phone, through the post, our phone conversations move from life in a time of Covid, to embroidered tray cloths, lazy dazy stitch, grandchildren, to the fear of shopping, fear of the virus.  Occasionally it is painfully sad, the lady who was isolated, not just by her health conditions, but by the virus.

 

“I’m very lonely,  the only person I see is once a week, and that’s at a distance.” Participant

 

But everyone I’ve spoken to so far is keen to join in with the project. There is an innate understanding that keeping busy, keeping the hands and brains occupied doing something creative is a positive thing, now more than ever.

 

Before I got married, I used to embroider tray clothes. I’ve started knitting again for charity, the Red Cross.”  Participant

 

There is a real delight in the idea that their work will join others, combining together to create one piece. And always the excitement that the individuals will one day have an opportunity to get together, meet each other and celebrate their achievements on the project.

I might not have seen anybody stitch yet, but it’s still been a brilliant start to a project, full of hope. We’ve had our first embroidered square sent back to us from Liz, pictured above. We weren’t expecting any to come in the post for a while, so this was an extra special delight.

And selfishly, it’s helping me get through these times too. It gives focus to my days, something to look forward to- new ways of working, full of excitement and delight.

 

You’ve made my day.

“I’ve absolutely loved talking to you.”  Participants.

 

Lois Blackburn. Lead artist

star solar system

Lois’s sample solar system, for a Necklace of Stars

 

A Necklace of Stars is a collaboration between housebound, isolated older people in Derbyshire,  arthur+martha,  Arts Derbyshire   DCC Public Health and Derbyshire County Council Home Library Service. 

 

 

Combatting isolation with a Necklace of Stars

Necklace of Stars, Projects

A Necklace of Stars  LAUNCH

Older adults aged 65+ from across Derbyshire are being invited to take part in a new project ‘A Necklace of Stars’. During the Covid-19 crisis, instructions and support for making embroidery, poetry and lullabies will be provided via post, on-line and on the phone for those who are housebound. 

A Necklace of Stars is an Arts Council England supported collaboration between Arts Derbyshire, DCC Public Health, Derbyshire Library Services and arts organisation arthur+martha. Collectively, we will make an embroidered quilt with a poem and song soundtrack, inspired by lullabies. Lullabies bring calm and comfort, and also tell insightful stories that pass on the depth of human experience from generation to generation.

 

cross stitch star

 

Using embroidery, poetry and repurposed bed sheets, pillow cases and pyjamas, stars will dance across the quilt. At a time when so many of us are suffering the negative effects of isolation lock-down, this project couldn’t be more timely. It will help to build confidence and wellbeing, reduce loneliness, forge connections and re-ignite creativity.

This project will culminate in a 12-month exhibition showing the quilt, poems and soundtrack in a variety of cultural venues across Derbyshire. 

If you are interested in taking part in this project (whether you have no experience or plenty), or know of someone who might enjoy getting involved, please contact Sally Roberts on 07395 904386 or email sallyartsderbyshire@gmail.com You can also look at our page a-necklace-of-stars/ to find out more.

Hello to love

A Book of Ours, Projects

Stephen Raw was our expert guide today, leading us into the complex mystery that is calligraphy, particularly the discipline of the medieval script.

 

“It’s the curse of making the word visible,” as he says cheerfully. “How do we see our thoughts? What colour and what shape? And how do we get that onto paper? That’s where it takes the time…”

 

All of the group plunged into that inky ocean to make their pages of calligraphy. Like learner swimmers, they started cautiously but were soon splashing about, making a glorious mess and making beauty, often on the same page.

 

caligraphy practice

 

Chris developing his Viking runes, stretching out across the page. T at first wrestling with the lettering, and then tracing and retracing, selecting the best letters, seeing the page transforming to her touch. M working long and hard at the correct order of setting each letter down in the right proportions — and then suddenly a phrase has landed in the middle of its page, scripted so beautifully it’s a poem in its own right. Hello to love.

 

Chris

But today contained other kinds of writing too. For one of the other group members it was an opportunity to write about experiences of homelessness, to write at high speed, with a simple biro. To put those experiences down on paper, and to consider them for the first time. Sometimes putting experiences down on paper can be like putting down a heavy weight. Afterwards comes relief. The memories are part of this project too and in due course they’ll find their expression somewhere in the pages of the illuminated manuscript A BOOK OF OURS.

Slowness is the beauty and the curse of getting words down on a piece of paper. We speak very quickly, and think even more rapidly. Writing down those words is a long process, which can be slow, frustrating, exhausting. But that’s also the beauty — working and thinking in slowmotion. There is time to enjoy each stroke of each letter, the choice of colour, the density of the ink, the music and meaning of each sentence, each word. And perhaps with this, comes more understanding.

Lawrence looked up from his paper, hands blotted with ink.

“I love all this,” he said.

 

 

With thanks to everyone at Back on Track and to all the National Lottery players and the Heritage Lottery Fund.

Self-made mountains

A Book of Ours, Projects

 

Booth Centre, 5 December 2019

 

Asking for help can be the most difficult thing. It seems simple, but there’s a million reasons not to, infinite excuses.

“You’ve got to be ready to ask,” says one of our regular group who’s come through addiction and out the other side.

“It’s not easy, admitting you’re weak,” observes someone else.

“But is it really weak? Everyone needs help, it’s human,” says someone who’s just got a new flat. “I’ve been living out on the street, I needed a lifeline.”

It’s a morning of dancing around these tiny self-made mountains, delicate but terrifying.

Then in the afternoon we start with tears, as occasionally happens. The person next to me is literally shaking. Eyes dark with worry. Tears flood and emotion floods the room. Somehow these tears liberate everyone else, bring them closer to their feelings. And so we write together.

It’s a brittle atmosphere like a family argument, a storm waiting to burst. There’s sadness and anger, lightning strikes of shouting. Then between it all poems grow. People write about letting in simple pleasures. They talk about sunshine, the silliness and joy of just being. Little lines that are fought for so hard, shared and appreciated. Then shouting stops, the tears ease off, we have a strange peace. 

 

Help is too big to put in words

Naked in a big world

Myself to get off the drugs 

Help is too big to put in words

Myself to get off the drugs 

Mum and dad and me

Naked in a big world

Help is too big to put in words.

Anonymous 

I’m touched beyond words by these words. Their makers are so proud, yet embarrassed, yet delighted. There’s a shy grin.

“Maybe I’ll be back next week,” says a new member of our ongoing little club.

“Was it a bit much?” I ask another regular. He shrugs.

“It’s all part of the cake mix,” he says.

Press Release

Projects, quilts, War Widows Stories

War Widows’ Quilt Commemorates the Lives and Loves of War’s Forgotten Women

From 7–11 November 2019, The Queen’s House, Greenwich, will host the first ever exhibition of the War Widows’ Quilt. Made from armed forces shirts by over ninety war widows and their family members, this beautiful and moving piece of art tells many individual stories of love, loss, and grief while also shining a light on the ongoing history of war widowhood in the UK.

War Widows' Quilt test

 

The quilt, made in collaboration with arts company arthur+martha, is part of the War Widows’ Stories project, led by Dr Nadine Muller (Senior Lecturer in English Literature & Cultural History, Liverpool John Moores University) and the War Widows’ Association of Great Britain (WWA).

 

Commenting on the forthcoming exhibition, Dr Muller said:

 

“We started work on the quilt exactly a year ago in this very same venue, and nobody could have predicted then what an impactful piece of art this would become. The War Widows’ Quilt tells so many moving stories, shares so many cherished memories, and expresses so much grief as well as hope. It is a magnificent, important memorial.”

 

Theresa Davidson, whose husband served in the Scots Guards and died in the Falklands in 1982, commented:

 

“I feel such pride and real honour to share my love and grief. The love, grief, loss, and pain never leaves you. It is my own personal war!”

 

Another war widow, Angela Evans, reflected on the profound effect that contributing to the quilt had on her:

 

“It’s from the heart. One day you have everything, then the next day you’ve got nothing. Somehow it helps to say something, to express it out loud.”

 

McMenemy Alberta

 

Lead artist Lois Blackburn (arthur+martha) reflects on her work on the quilt:

 

“Sewing together the pieces into a final quilt felt a giant responsibility, but one for which I remain very grateful. I selected fabrics that had been worn by the armed forces. I carefully took apart fifty military shirts to make patches and chose a patchwork technique that deliberately echoes the quilts made by British servicemen during the Crimean War.”

 

Mrs Mary Moreland, WWA Chair, highlights the importance of this project for the Association, its members, and the wider war widows community:

 

“The quilt and the project help the Association raise awareness of the challenges war widows face every day. Our voices are sadly still absent from most public institutions, including museums. We cannot tell the stories of war without the stories of those left behind.”

 

The quilt helps address a significant gap in the public histories of war, says Sue Prichard, Senior Curator (Arts) at Royal Museums Greenwich:

 

“The Queen’s House has long been the site of female power and patronage. As such we actively seek opportunities to reveal the untold female narratives inherent in our collections. It is therefore wholly appropriate that we take this opportunity to commemorate the experiences of contemporary women within the wider context of conflict on land and at sea”.

 

The exhibition will be marked with a special celebration event at The Queen’s House on Friday, 8 November, 5–8PM. On Saturday, 9 November, artists Lois Blackburn and Phil Davenport will be hosting drop in embroidery sessions and guidance to the quilt.

War Widows’ Stories is funded by the Arts & Humanities Research Council, Arts Council England, the British Academy, and the Heritage Lottery Fund, and it is run in partnership with Royal Museums Greenwich, the National Memorial Arboretum, and Imperial War Museums.

boarder

A quilt of unending love

Projects, War Widows Stories

We are delighted that the War Widows Quilt will make its public debut at the Queen’s House, Royal Museums Greenwich 7-11 November, for Remembrance weekend. Over 90 war widows from across Britain have made the quilt, honouring the untold history of war widows. The quilt will be on exhibition all weekend.

War Widows' Quilt 2.jpg

 

“An amazing project, a piece of history for all, for the present and the future. A quilt of unending love, pain and grief. A quilt of great honour, a true work of art.”

Theresa Davidson (contributor and war widow)

 

The quilt, made in collaboration with arthur+martha, is part of the War Widows’ Stories project, led by Dr Nadine Muller (Senior Lecturer in English Literature & Cultural History, Liverpool John Moores University) and the War Widows’ Association of Great Britain (WWA). Lois led the quiltmaking, Phil oversaw the writing. 

Using embroidery, poetry and repurposed uniforms, this is a deeply-emotional artwork. Behind the squares in the quilt and each poem are stories of grief and new beginning. All the women involved tell their stories on their own terms and in their own words:

 

”I found it very emotive doing the stitching, to sew those dates, to acknowledge them so publicly.  It was a stark reality, physically sewing. The years might pass, but the pain never goes away.”

Shirley Dodd Clark (contributor and war widow)

 

The quilt is stitched with poems, names and significant dates. Pockets contain hidden lives. Inside are writings, photos, newspaper cuttings, memories. Some are sewn shut, others can be opened.  

 

Thomas Kate, Inside

 

“The things we felt but never ever had the chance to say”  

Brenda Hillman (contributor and war widow)

 

The War Widows’ Quilt helps to break the deafening silence that has surrounded the experience of war widows for too long. But loss is universal. Made by and for war widows, this is a quilt that will bring comfort to anyone who has experienced grief. It is ultimately about all of us…

 

“Sewing my square gave me a strange sort of peace. I could think about how (my husband) died while I stitched so the sewing was giving me a control. It’s hard to explain but it worked for me.”

Lauran Hamilton (contributor and war widow)

 

Hamilton Lauran p1.

Part 1. Lauran Hamilton

 

The launch and celebration of the War Widows’ Quilt will be at Queen’s House, Ground Floor, Great Hall. 5pm-8pm all welcome. This event allows you to hear about the lives of war widows in their own words and to see the quilt. The War Widows’ Association of Great Britain, is a group that exists to improve the conditions of War Widows and their dependants in Great Britain. 

 

 

The War Widows’ Stories  was supported by Arts Council England, the Arts & Humanities Research Council, the British Academy, the Heritage Lottery Fund, and Liverpool John Moores University. It was run in partnership with Royal Museums Greenwich. We are especially indebted to the War Widows’ Association of Great Britain.

 

 

The gold cog of the clock

A Book of Ours, Projects

As we move through the year, we are getting toward the end of the Calendar which starts A BOOK OF OURS. It’s a long poem written and decorated by many people. Each line is six words long, with the six words the line must tell the story of a significant day of the year. Some people have written about birthdays, funerals, weddings, other people have celebrated the tiny triumphs of the every day. The beginning of the football season in the August bank holiday, the pleasures of ice cream, or flowers, or watching leaves fall in autumn. Or watching a winter sunset, the sun like a golden mechanism.

Woven into the poem are nods to history (the vikings, Julius Caesar, pagan ceremonies) and to the ways we mark the passing of time. The patterns we see in our lives. The cycles and the circles of being alive. And the cycles of homelessness too, the days spent living in permanent turmoil. The punishing life, the moments of escape, the dark angels of addiction.

 

Friends of darkness

Gather round me

Even in my best of times

They gather round

These demons of mine.

 

Lawrence McGill

 

Virgin mary.jpg 

It was one of our productive days, with rapid progress being through the to-do list. Several people talked about being sleep-deprived, pushed to the point where putting words together was simply too difficult. And yet, somehow, the whole room galvanised when the familiar illuminated pages came out and once again our artists and writers dived deep in the midst of making, forgetful of all else. When I said goodbye to Chris he was grinning with delight, even though he had dark smudges of exhaustion under his eyes.

 

“Bang on!” He said triumphantly. “We nailed it. Perfect we were. The collective is in operation.”

 

Chris2.jpg

This workshop was part of the project A Book of Ours, creating an illuminated manuscript with people who have experienced homelessness or at risk of.  Supported by the Heritage Lottery Fund

The Booth Centre is here to bring about positive change in the lives of people who are experiencing homelessness or at risk of homelessness, to help them plan for and realise a better future.