From my heart and soul

A Book of Ours, Projects

I work from my heart and soul. That’s why I get so tired, I put everything in.

Everyone has their own reasons for joining in and for leaving. Some people get worn out by the afternoon. Some of them have been up drinking since daft o’clock.

The arthur+martha sessions are different. They’re very constructive, with lots of different things happening at once – poems, drawing, writing, calligraphy, a wide variety. Like us.

Johnathan

A couple of observations about yesterdays session at the Booth Centre from Johnathan and project worker Karen.

Lawrence’s calendar page for ‘The Book of Ours’

I always knew it would be therapeutic, but it’s my first experience of actually doing it, and I’m loving it. I didn’t want it to stop today, it was so relaxing. Im getting to know people in a different way, you can really talk with people, it’s lovely and relaxing.

It will be good, I know it. People just need to turn up and fill the book. They are the big idea.

Karen, project worker at The Booth Centre.

This arthur+martha project is the making of an illuminated manuscript, at the Booth Centre and other support centres for people with experience of homelessness. It will gather together significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as “homeless” when they are so much more. Supported by HLF.

Trickling from the stream’s my dreams

A Book of Ours, Projects

There are no ordinary days at the Booth Centre, the homeless day centre where our workshops are currently based. Within the space of one day, or even one hour, there might be laughter, sadness, fury, tears, joy  and today was no different. This was the fourth workshop of a major new project, making an illuminated manuscript with people whove experienced homelessnes, a book that will include over 100 makers and stand as a testament of ignored, misunderstood lives.

Many people who join in with our sessions are at an extreme, a point where life has spiralled, and emotions are bubbling close to the surface. Sometimes its possible for that emotion to fuel artmaking or writing, which in turn allows self-exploration, or lets people reach out to others. But making such work can be gruelling, there needs to be help at hand so that the journey has an ending. Today, it felt as though some people were walking along the very edge of themselves, trying to find a way through darkness. For others, it was possible to put trouble aside and welcome brightness.

 

A Book of Hours, from the John Rylands Library collection

 

 

The cliche of homelessness is that its a drab, black and white world, a gritty documentary with a downbeat ending. But in the artwork and writing for this project weve looked for inspiration to colourfilled medieval illuminated manuscripts. And in response people have identified the technicolour in their lives, saturated them with golds and greens and reds, as well as seeing the shadows. One piece of writing from the morning workshop starts with, A sunny and warm-full day… In another we meet, the darkness of me.

But today was also remarkable for another reason. In the afternoon we made out first research visit with the group to John Rylands Library to see some original medieval manuscripts firsthand. These handmade books are one-offs, hundreds of years old. To be allowed this close is a rare chance to really encounter books that are artworks of amazing power.

 

Chris at The John Rylands Library

 

Our guide was the friendly and immensely knowledgeable John Hodgson, who is Joint Head of Special Collections. As he led us to the Victorian interior, John paused briefly and in that moment the booming traffic, and seemingly time itself, dropped away. A tremendous sense of peace wrapped around us. We went forward into this amazing public treasure house, marvelling at the carved pillars, the statues, the knowledge, as G said. He took us around the building first of all, which is an architectural beauty of pink sandstone, full to the ceilings with vast bookcases containing vast books.

And then to the books. Nobody quite expected what happened next. As John slowly, slowly, leafed through a 500 year old medieval Book of Hours, the group hushed. The pages were iridescent with blues and reds, and burnished gold. We looked closely, saw the writing of people hundreds of years dead and yet who still spoke to us through these pages. I noticed that two of the people in the group were quietly crying. Still the pages turned, the Hours of the Virgin, which celebrates each part of each and every day, The Offices of the Dead, a section of commemoration. The intense colours burned with a passion for living, for finding the deepest joys in life, and sharing them, and for acknowledging grief and pain too.

 

A Book of Hours, in The John Rylands collection

 

I suddenly needed to sit down, found I was breathing too fast, Id become dizzy. L wiped his streaming face and beamed the broadest smile I think Ive ever seen on him. Chris, whod gently joked with John through the tour, stopped the wisecracking and simply repeated over and over, Its lovely though, innit? Just lovely.

We sat and had a coffee together afterward and quietly went our separate ways. I waved to the guys across the street as they disappeared into the bustling city. 

 

Thanks to everyone at John Rylands Library, especially for John for taking such great care of us all, sharing a glimpse of the amazing collection and helping to inspire our project.

This arthur+martha project is the making of an illuminated manuscript, at the Booth Centre and other support centres for people with experience of homelessness. It will gather together significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as homeless when they are so much more. Supported by HLF.

 

Let daylight come down on earth again

A Book of Ours, Projects

“One of the men sat next to me- hes got a lot of things going on, sleeping on the streets at the moment. Hes had an amazing day. You could see how relaxed he was, how focussed…

(Karen, support worker Booth Centre)

 

Today was our second day into our new project ‘A Book of Ours’, making an illuminated manuscript with people whove experienced homelessness.

Not only are we trying to make an artwork, we are also constructing an atmosphere that people can relax in and learn to trust. Its impossible to let your imagination play if you dont feel safe, or sense youre unwelcome, or being judged. People living on the streets or in hostels often tell us that a quiet space thats safe is a rare luxury amongst the mayhem, violence, stress. One of the pleasures of this session was to see people dancing away in their imaginations, in the company of others.

The morning session was boisterous and loud, an energy blast. We invited people to make short poetic pieces about their red letter days. Days when time went fast, or slow. G wrote a typical day in a prison cell, the sounds, smells, the boredom and fear. R described the loss of a relative, a long, slow, sad day. C wrote about the amazement of seeing an eclipse, as a child (a little excerpt from that is the title of this blog). Someone else described urinating in the church font, as revenge against a bullying priest. For someone else again, today was his red letter day, his first day in the Booth Centre, a day full of relief but also trepidation. These descriptions were boiled down to a few words and will be written into the calendar framework that we are devising for the first section of this ambitious book.

The theme is time and how we value certain moments of it. Or dont value them. Heres a Brilliant Job day, in precisely 12 words: Started work, didnt realise my day was over til someone told me.Rachel

Alongside the writing, pages of sumptuous lettering were appearing as the makers became immersed in their work. Suddenly, the paper was transformed into colour and glorious flowing lines. When we came back after lunch we were surprised and delighted to find that many of the morning group had returned. People had got a good meal inside themselves and this helped fuel them into the afternoon. Heres our support worker Karen again:

Can be a full stomach makes the difference. People having lunch and coming back up to do more doing full day…I spoke to a few people while they were in the workshop. All seemed to really, thoroughly enjoy it. The fact people came back from lunch, after working all morning is unusual, important. Its a nice space to build up rapport. People get to know parts of themselves and share in a way that they wouldnt necessarily share downstairs.

One of our guides on this project is the poet William Blake, his extraordinary visions were recorded in poems and artwork. His kindred spirit in our group is Lawrence whose wondrous outpouring of word/image brings delight to us all, despite his occasional grumpiness. Once again Laurence took flight up into the colour and light and others followed him in a swirl of colour and poetry and (always) humour.

As we came to the end, the group gently broke apart, saying their goodbyes, shaking hands, grinning shyly at each other. Then went downstairs and back into it all. Well leave the final word to Karen:

It can get manic in the Booth and I came upstairs into this session and immediately felt the vibe. It was just so settled. People getting into it. And me? I absolutely loved it.

This new arthur+martha project is the construction of an illuminated manuscript at the Booth Centre and other support centres for people with experience of homelessness. It will gather together significant events, dates, people, celebrations and memorials all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as homelesswhen they are so much more. Supported by HLF.

The tears are close to our eyes

War Widows Stories

We’d like to thank the War Widows’ Association in Northern Ireland for inviting us into their precious twice-yearly meeting and making time for us when they were meeting with old friends, planning events, and sharing news. To be present  in one of the meetings is a privilege. It’s a group of friends, but it’s also a group of people grieving. The tears are close to everyone’s eyes. And then there’s a layer of politics. And of history too, the resonance of war.

Alberta

Over sandwiches and a cup of tea we talked about the weather, about memories of childhood — and then suddenly we were discussing a man being killed and his child running away from the scene of the killing covered in blood and shattered glass. How do you say all this, how do you deal with all this? At the end as we were getting ready to leave, Alberta our host answered the question, “Hugs.”

And yes, love is one answer among the many we heard. One of the widows said, “Here people hug me. But when I get back home I’m on my own with my life again and I go on a downer.”

A lot of the groups we work with include people from all walks of life, they’re brought together by a circumstance, for instance people who’ve experienced homelessness, or dementia, or widowhood. They’re suddenly talking to each other, in ways that unlock great emotion, sometimes it’s compassion, sometimes it’s anger, sometimes joy.

Today we passed from table to table, introducing some art and poem ideas and simply talking. Although there is no “simply” here. To be a widow is not simple, it is as complex as every individual in the room, with their many triumphs and tragedies. And of course, a shadow presence is the word “Troubles”. The conflict that still echoes through this place, and through many of the people here. How to even begin to put such a knot of loyalties and grievances to rest?

 

Ann

The project that we’re collectively making is a quilt. Many of the squares that make up the quilt carry the names of the widows and their husbands, and dates of birth and death. Other squares are pockets, which are embroidered with a few words, giving a part of a story, or a line from a song. Within these pockets is memorabilia, things that quietly commemorate, poems, letters, scraps of cloth. They are both present and hidden.

Making art or poems together allows deeply layered conversations to happen, sometimes finding expression for what’s only partly known. It’s what needs to happen first. Today was not a day for making, it was preparing the ground. When people left the room, many of them took squares with them to work on at home.

 

Heaven is my home(ann)

What will come back, how will those extraordinary moments we shared be re-made in word and stitch? Anne and Margaret talking about faith and love — “Heaven is my home.” Or Violet, with her eyes sparking, as she sang a line of a song that her husband used to sing to her, “Send me the pillow that you dream on
So darling I can dream on it too…”

 

Thanks to Alberta and Mary for inviting us to Belfast. Thanks to everyone who attended the War Widows’ Association meeting for making us feels so welcome and sharing your time, your creativity.  

 

A book of ours

A Book of Ours, Projects

The first day of a new project brings many questions to the table. And this one was no different. We are making an illuminated manuscript with people at the Booth Centre, following on from our project The Homeless Library, which was the first history of British homelessness. It gave first hand accounts of peoples life journeys, often pivoting around homelessness, illustrated with poems and artworks and inscribed into handmade books.

 

 

This new project is the construction of an illuminated manuscript. It will gather together significant events, dates, people, celebrations and memorials  all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed, clumped together simply as homeless when they are so much more.

First job of the day was to re-acquaint ourselves with old friends. We worked at the booth centre for 10 years on and off, and some faces were very familiar. Laurence, with a twinkle, said, Everything gets put to one side for arthur+martha. Joan gave us both a hug. Danny ditto. As we sat down to work, Id the feeling that there was nowhere else to be sitting in the world that bettered this.

 

 

In todays workshop, we made a timeline of significant day and people wrote short 24-word descriptions of their chosen days. (There are, after all, 24 hours in a day.) We also did a little experimenting with calligraphy pens, with colours, with paper and with page layouts. Some powerful work was made, beautiful miniature narratives and playful page compositions. 

 

 

But some of the most important work was to ask questions. We are using mediaeval manuscripts as the basis for our book. These are the Books of Hours that celebrated the Christian calendar. So how do we adapt this template for our purposes? For instance, the medieval calendars were often written in black, red, blue and gold, with a particular meaning assigned to each colour. But what meanings did our group associate with these colours? Is red a colour of love, or a symbol of blood? Is black grief, or power, or…? And gold  is it the colour of money, or something less earthbound?

 

 

 

And as we talked, the shape of this book of ours slowly began to emerge…

With thanks to everyone at The Booth Centre for their warm welcome, the support of Lottery players and the Heritage Lottery Fund.

A question of survival

Projects, quilts, War Widows Stories

There are many lessons for me to learn during every arthur+martha project. Our involvement with War Widows’ Stories, comes with a steep and sometimes painful learning curve.

Like how many wars there have been involving the United Kingdom since World War Two, many names I’m familiar with; The Troubles, Falklands War, the Gulf War, Bosnian, Afghanistan, Iraq… but many others I was unaware the British fought in- The Malayan Emergency, Greek Civil War,  the Korean War- I’ve now met 2 war widows’ whose husbands died as a result of the Korean war, they call it the forgotten war. Both their quilt contributions have the word Korea embroidered- a lesson in stitch. And each of these wars results in war widows, and children without parents, on both sides of the conflict, brought into focus by the women I meet;

‘Your world is turned upside down, but you have a baby kicking inside you, so you’ve got to get on with it- life goes on.

In April my mum was widowed, in May I was a widow, in June my son was born.’ Kath

Sylvia signature

This is a project that carries weight and responsibility. Yesterday I met Kath, who had campaigned for years to have her husbands name publicly on show somewhere in his home town, a name plaque to mark giving up his life for his country. It took years, finally with the support of The British Legion she achieved it, his name is honoured in his local church. Other women I have spoken to have told me their desire to have their husbands names publicly displayed. It’s been the inspiration to have their names stitched onto the quilt, alongside the war widows themselves. It’s a small contribution, carefully, slowly stitched.

 

Typically our projects are run with repeated visits to people, in group settings. This allows for participants to slowly build their confidence and their skills. For War Widows’ Stories, we have a number of group workshops, but also wanted to bring in the voices of other women- ones who couldn’t travel to the workshops. So far I’ve done four home visits up and down the country,  and enjoyed everyone of them. One to one sessions allow a quick, intense, meaningful, getting to know someone, revealing a flavour of their story. During the visits so far we haven’t started stitching as I hoped we would, instead I often find I am stitching participants designs on their behalf. For some they haven’t the physical ability, some it’s confidence of their skills- this is the drawback of a one-off visit, skills and confidence development. But their words, handwriting and drawings say so much.

And finally for today, the constant repeated theme of the project- survival, the getting on with it. Kath, like so many stories I’ve heard was left widowed desperately short of money,  she went to a board of men to ask for a bit more money for the 6 week baby- they told her ‘You’re young enough to get married again, and go back to work’…

‘A question of survival. Four buses to work, four buses home. It was all buses and work. Self survival, going to work, coming home, bed and work and Robert my son.’  Kath

question of survival

One of Kath’s squares for the War Widows’ Quilt

Written by Lois Blackburn

The War Widows’ Quilt is being made as part of the War Widows’ Stories project.  The project is supported by Arts Council England, the Arts & Humanities Research Council, the British Academy, Liverpool John Moores University, Royal Museums Greenwich, the Imperial War Museums, the National Memorial Arboretum and the Heritage Lottery Fund.  

History from the inside

Books and publications

THE WARM /&/ THE COLD

History from the inside

“Testimony forged into art…” Ian McMillan

A unique, many-voiced history told in poetry and art made by homeless people, older people (many with dementia) and young offenders launches at Manchester Central Library on 10 June 12-4pm. The event is part of Manchester Histories Festival 2018 Celebrations Day.

THE WARM /&/ THE COLD is an illustrated poetry book by many authors. Hundreds of marginalized people have collaborated to makepoems, artworks, and quilts, ceramics – all adorned with their life stories. Arts organisation arthur+martha have worked for several years with diverse communities in North West England: an alternative history of British life, insider stories that find nothing new in austerity, but have plenty of survival tips.

alice and cut up

Artist Lois Blackburn: “Sometimes you’ve just got to pin your heart on your sleeve and say who you really are. We’ve been privileged to share these moments with the people who’ve contributed, its history told with inside knowledge. On some days this project has been heartbreaking, but many times it has also been a joy.”

Embroidered into quilts, written onto tourist postcards, made into tattoo designs, and ceramics designs, and printed as posters, these poetic testimonies stretch outside the usual arena of literature, to include people whose words and very existence are often unrecorded and ignored.

Steve and Andy

The book launch links to a song and visual performance at The People’s History Museum on Monday 11thJune, lunchtime 12-1 with artist Lois Blackburn (arthur+martha)  singer songwriter Matt Hill/The Quiet Loner, of the new work ‘Moving Panorma’.

Poet Philip Davenport: “Our work follows an ancient tradition of passing on people’s history through poems, songs, artworks and stitch. It also continues the work of people like Ewan McColl and Charles Reznikov, who shared people’s words in the form of poems and songs, as a form of protest. The launch coincides with our 11th birthday as an organisation — and I can’t think of a better way to celebrate the moment.”

naughty boy

The illustrated poetry book has been funded by the National Association for Literary Development and gathers hundreds of the collaborators within its pages. It also includes a Foreword by Ian McMillan and Afterword by Jerome Rothenberg; the project was helped by poets Stephen Emmerson, Dr Scott Thurston, Steve Giasson, Rebecca Guest and copland smith. THE WARM /&/ THE COLD has been made possible by longstanding arthur+martha partners The Booth Centre homeless day centre.

 

Launch date: Manchester Central Library, 10 June 12-4pm

Book price: £10

 

Sushila

 

Notes for Editors

1) This event is part of Manchester Histories Festival 2018, the 5th edition of the Greater Manchester-wide biennial festival with the theme protest, democracy, and freedom of speech. Delivered by Manchester Histories the 2018 Festival will offer a long-weekender of music, film, debate, talks, performance, walking tours, arts and more. Visit http://www.manchesterhistories.co.uk

2) The Booth Centre brings about positive change in the lives of people who are homeless or at risk of homelessness, and helps them plan for and realise a better future. They do this by providing advice to find accommodation, education, training and help to secure employment, free healthy meals, support in tackling issues with health and addiction, and creative activities to boost confidence and self esteem. The Booth Centre is an independent, registered charity (no. 1062674)

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