A Book of Ours speaks of many experiences, the many facets of being a person, whatever your background, whatever your financial situation, however frequently you’ve found yourself without a home to call your own.
Strawberries still grow in the summer. The taste of a cup of tea still reminds you of comfort. Your football team still scored. The sunshine still warms your face. And the days become seasons and the seasons flow into each other, suddenly adding up to years.
All of these things are commemorated in the Book of Ours. In images that dance about the page and in little lines of six words. They are the gentle maths of the ordinary. Amid the accounts of homelessness, prison, violence, catastrophe, these things are a welcome anchor, holding the pieces together. Like gravity, like love.
This arthur+martha project is the making of an illuminated manuscript, at Back on Track, the Booth Centre and other support centres in Manchester. It gathers together significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as “homeless” when they are so much more. Supported by HLF.
I work from my heart and soul. That’s why I get so tired, I put everything in.
Everyone has their own reasons for joining in and for leaving. Some people get worn out by the afternoon. Some of them have been up drinking since daft o’clock.
The arthur+martha sessions are different. They’re very constructive, with lots of different things happening at once – poems, drawing, writing, calligraphy, a wide variety. Like us.
A couple of observations about yesterdays session at the Booth Centre from Johnathan and project worker Karen.
I always knew it would be therapeutic, but it’s my first experience of actually doing it, and I’m loving it. I didn’t want it to stop today, it was so relaxing. Im getting to know people in a different way, you can really talk with people, it’s lovely and relaxing.
It will be good, I know it. People just need to turn up and fill the book. They are the big idea.
Karen, project worker at The Booth Centre.
This arthur+martha project is the making of an illuminated manuscript, at the Booth Centre and other support centres for people with experience of homelessness. It will gather together significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as “homeless” when they are so much more. Supported by HLF.
There are no ordinary days at the Booth Centre, the homeless day centre where our workshops are currently based. Within the space of one day, or even one hour, there might be laughter, sadness, fury, tears, joy—and today was no different. This was the fourth workshop of a major new project, making an illuminated manuscript with people who’ve experienced homelessnes, a book that will include over 100 makers and stand as a testament of ignored, misunderstood lives.
Many people who join in with our sessions are at an extreme, a point where life has spiralled, and emotions are bubbling close to the surface. Sometimes it’s possible for that emotion to fuel artmaking or writing, which in turn allows self-exploration, or lets people reach out to others. But making such work can be gruelling, there needs to be help at hand so that the journey has an ending. Today, it felt as though some people were walking along the very edge of themselves, trying to find a way through darkness. For others, it was possible to put trouble aside and welcome brightness.
The cliche of homelessness is that it’s a drab, black and white world, a gritty documentary with a downbeat ending. But in the artwork and writing for this project we’ve looked for inspiration to colourfilled medieval illuminated manuscripts. And in response people have identified the technicolour in their lives, saturated them with golds and greens and reds, as well as seeing the shadows. One piece of writing from the morning workshop starts with,“A sunny and warm-full day…”In another we meet,“the darkness of me.”
But today was also remarkable for another reason. In the afternoon we made out first research visit with the group to John Rylands Library to see some original medieval manuscripts firsthand. These handmade books are one-offs, hundreds of years old. To be allowed this close is a rare chance to really encounter books that are artworks of amazing power.
Our guide was the friendly and immensely knowledgeable John Hodgson, who is Joint Head of Special Collections. As he led us to the Victorian interior, John paused briefly and in that moment the booming traffic, and seemingly time itself, dropped away. A tremendous sense of peace wrapped around us. We went forward into this amazing public treasure house, marvelling at the carved pillars, the statues,“the knowledge,”as G said. He took us around the building first of all, which is an architectural beauty of pink sandstone, full to the ceilings with vast bookcases containing vast books.
And then to the books. Nobody quite expected what happened next. As John slowly, slowly, leafed through a 500 year old medieval Book of Hours, the group hushed. The pages were iridescent with blues and reds, and burnished gold. We looked closely, saw the writing of people hundreds of years dead and yet who still spoke to us through these pages. I noticed that two of the people in the group were quietly crying. Still the pages turned, the Hours of the Virgin, which celebrates each part of each and every day, The Offices of the Dead, a section of commemoration. The intense colours burned with a passion for living, for finding the deepest joys in life, and sharing them, and for acknowledging grief and pain too.
I suddenly needed to sit down, found I was breathing too fast, I’d become dizzy. L wiped his streaming face and beamed the broadest smile I think I’ve ever seen on him. Chris, who’d gently joked with John through the tour, stopped the wisecracking and simply repeated over and over,“Its lovely though, innit? Just lovely.”
We sat and had a coffee together afterward and quietly went our separate ways. I waved to the guys across the street as they disappeared into the bustling city.
Thanks to everyone at John Rylands Library, especially for John for taking such great care of us all, sharing a glimpse of the amazing collection and helping to inspire our project.
This arthur+martha project is the making of an illuminated manuscript, at the Booth Centre and other support centres for people with experience of homelessness. It will gather together significant events, dates, people, celebrations and memorials, all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed as“homeless”when they are so much more. Supported by HLF.
The first day of a new project brings many questions to the table. And this one was no different. We are making an illuminated manuscript with people at the Booth Centre, following on from our project The Homeless Library, which was the first history of British homelessness. It gave first hand accounts of people’s life journeys, often pivoting around homelessness, illustrated with poems and artworks and inscribed into handmade books.
This new project is the construction of an illuminated manuscript. It will gather together significant events, dates, people, celebrations and memorials—all in one book, giving a wide cross-section of hugely individual lives. Our hope is that by doing this we reassert the identity and the individuality of people who are sometimes dismissed, clumped together simply as“homeless”when they are so much more.
First job of the day was to re-acquaint ourselves with old friends. We worked at the booth centre for 10 years on and off, and some faces were very familiar. Laurence, with a twinkle, said,“Everything gets put to one side for arthur+martha.”Joan gave us both a hug. Danny ditto. As we sat down to work, I’d the feeling that there was nowhere else to be sitting in the world that bettered this.
In today’s workshop, we made a timeline of significant day and people wrote short 24-word descriptions of their chosen days. (There are, after all, 24 hours in a day.) We also did a little experimenting with calligraphy pens, with colours, with paper and with page layouts. Some powerful work was made, beautiful miniature narratives and playful page compositions.
But some of the most important work was to ask questions. We are using mediaeval manuscripts as the basis for our book. These are the Books of Hours that celebrated the Christian calendar. So how do we adapt this template for our purposes? For instance, the medieval calendars were often written in black, red, blue and gold, with a particular meaning assigned to each colour. But what meanings did our group associate with these colours? Is red a colour of love, or a symbol of blood? Is black grief, or power, or…? And gold—is it the colour of money, or something less earthbound?
And as we talked, the shape of this book of ours slowly began to emerge…
The Booth Centre and arthur+martha would like to invite you to the opening celebration of three projects, The Homeless Library, Sing me to Sleep and Mosaics made at The Booth. Join us on the 8th May at 1pm at The Booth Centre Manchester, for a sharing of the artwork, refreshments, and readings. All are welcome.
The project The Homeless Library is nearly at its official finish point, but in truth this feels like the beginning, not the end.
There are so many stories that Phil and I didn’t capture, so many strands of the history of homelessness that we only touched on. And like any history, it’s happening right now; since completing the interviews and poems for the project, new people have become homeless for new reasons, we have seen people find accommodation, take steps forward in their personal battles with alcohol, substance abuse, mental health issues, relationships, tragically we have also seen others not make it.
The Homeless Library has fed directly into our new project Armour, sharing the stories of the homeless people who’ve served in the armed forces. Threads from it are teased out in Phil’s Berlin-based project Heaven-Proof House, which asks refugees about the nature of home.
The Library has had a profound effect on us personally. In many ways it has been the hardest project we’ve ever done, because it was so emotionally intense and because we had so much to learn. The situation of some people we met was heartbreaking. But hope was also present in each day, each session – and humour and imagination, even delight. We were on a steep learning curve too: this was the first time we had attempted a formal “history”. In fact, our Library is the first-ever history of British homelessness thats ever been attempted. The voices of homeless people are finally being heard and accepted, as a valuable, fascinating part of all our stories.
We have also been approached by other organisations, to share our experience. The Museum of Homelessness have liaised with us and are doing excellent work. Recently, Lois met Karl Hyde from Underworld whoseStreet Poem project for MIFwill soon start. A few days ago we were asked if another organisation could pick up our idea and start a Homeless Library in London…
The Homeless Library will continue to grow and develop, sending its message to the world. We would like to thank the many, generous-hearted Homeless Librarians who contributed and who led the way.
My name is hello thank you and goodbye
My name is many, legion
Woke up this morning not in my own bed
Half a bed it was I fell out of
Fell out across fields, over and out
Over and out to continue
Made my way here, my name is many
My name is hello thank you and goodbye.
To download your free ebook from The Homeless Library visit blurb.