I class myself as invincible

Here Comes the Sun, poetry, Projects, quilts, Whisper to me alone

WHISPER TO ME ALONE gathers experiences of people who have experienced homelessness — and the experiences of many other vulnerable people — in Manchester during lockdown. We’re using journals of writing, art, songs, phone conversations and embroidery. Here one of our Whisperers talks about being transgender and how attitudes have changed during Covid.

Jessica: 

“I class myself as invincible. It’s because I get so much crap every day, being trans. I am just being me, being myself, but they can’t stand it. I’ve been attacked so many times I can’t count. I don’t know why they can’t leave me to live my life, be the person I’ve always wanted to be ever since I was little.

“One thing I’ve noticed during the virus is people are more kind. They’re trying to stay calm, they’re trying to deal with this situation. It’s made them come out of themselves. They are listening to each other much more, trying to figure out what to do, how to survive. I notice these things.

Whisper to me alone – journal page by Jasmine

“It’s sad it’s taken the virus to make people more open-minded. I wonder if they’ll stay like that, or they’ll go back to what they were before? The traffic is coming back now, there’s thousands of cars on the roads, maybe everyone will go back to their old ways. Right now I’m not getting so much hassle and violence as I used to. I still can’t go out wearing a dress, I’ll get beaten up. But if I wear women’s jogging stuff, I can go outside and I don’t get too much abuse. Maybe they’re being kinder. Maybe they’re scared of catching the virus. But what comes next?

 

WHISPER TO ME ALONE is supported by Arts Council England. Partners include Back on Track, Bury Art MuseumWith One Voice arts and homeless sector global network and The Booth Centre.

During the first lockdown the Booth Centre ran an advice drop-in and accommodated people under the Everyone In scheme. At 11am every day they ran a Facebook activity session to combat isolation, which included the arthur+martha WHISPER TO ME ALONE 2-minute poetry videos.

The state of things

Here Comes the Sun, Necklace of Stars, Projects, quilts, Whisper to me alone

“..I’m glad you like it as it was a joy to stitch. Your idea just sparked something inside me, making me want to do some stitching which was very welcome as I’m finding it difficult to settle to anything at the moment.”

Participant, Here Comes the Sun

 

Sara Scott Sun2

Sara Scott, Here Comes the Sun

 

I’m beginning to hear recurrent themes in the feedback to our two current projects Here Comes the Sun and A Necklace of Stars.  Many of our participants are finding it difficult to settle to anything. People describe having fuzzy heads, being overly tired, difficulties in even making even small decisions.

 

“What’s stopping me? It’s the state of things, I’m normally busy, involved with other things.  Normally I paint and paint and sew and sew, but I haven’t in ages. It’s been very, very strange. I can go outside, and talk to my neighbours, and clap for the NHS, but it’s the first time in my life I’ve been like this. I need something to give me a kick up the backside.”

Participant A Necklace of Stars

vintage dyed pillowcase

Here Comes the Sun. Vintage pillowcase, dyed, ready for embroidered poetry.

 

But counter to that, I have had heard from many other people saying that doing something creative is helping them re-focus and spark something in the brain. How interesting our brains are!

For many it has given a prompt to create something with embroidery for the first time in many years and connect with different generations of the same family:

“Thank you so much from my daughter and I for encouraging us to dig out my late grandmothers stash of embroidery threads to choose some sunny colours for our sun quilt squares. My grandmother was a very enthusiastic and skilled needlewomen and she would have loved the idea of this quilt…. (about her daughters embroidery) It is a while since I picked up an embroidery needle and as my stitches show I am more than a little rusty (for which I appologise) I have, however really enjoyed focusing on something creative during these strangest of times. We look forward to seeing the finished quilt.”

Participant, Here Comes the Sun.

One of the delights of the projects is the way news spreads by word of mouth. Having a project to work on gives us all opportunities to think, talk and focus on something different with friends and family, an escape from the news, and Covid. 

Have shared widely, and this has kick-started a WhatsApp group, as I was asked to set up a crafty one a couple of weeks ago. We can encourage each other daily in there and do other bits and bobs too.

Participant, Here Comes the Sun

What a beautiful idea. I’m definitely going to do this, and share with friends

Participant, Here Comes the Sun

 

Catherine's sun

Catherine Tombs embroidery for Here Comes the Sun. 

But there is always more sharing to do, the more people engaged in our projects with different perspectives on life, the more exciting and greater the depth the project our project gains.

Everyone signed up to our project A Necklace of Stars is currently housebound. Many where before the lock down. So far we have worked with people aged from 65 to 90. Many haven’t done any embroidery since school, but some are very experienced and confident in the creative arts. Everyone has a unique way of looking at the theme of the stars, everyone a story to tell.

Phil and I continually look at ways we can make the projects accessible to everyone, whatever their circumstances. Thanks to support from Arts Council England, we’re thrilled to be working with Booth Centre to invite people who are, or have been homeless to join in. They are being invited to draw suns that our volunteers will stitch on their behalf, a kind of art commissioning without any money changing hands. In addition I will be sending out packs of needles, threads and materials to people at the Booth who want to have a go at sewing themselves. I’m so thrilled to be working in this way and can’t wait to see how it progresses. 

Sarah B's sun

Sarah Burgess, embroidery for Here Comes the Sun.

Todays blog was written by Lois Blackburn, lead artist arthur+martha

A Necklace of Stars is a collaboration between housebound, isolated older people in Derbyshire,  arthur+martha,  Arts Derbyshire   DCC Public Health and Derbyshire County Council Home Library Service. 

Here Comes the Sun, A quilt in the time of Covid 19. Part of the Whisper to me Alone project.

The sun, our closest star

Necklace of Stars, Projects, quilts

The Sun

 

In the morning the sun rose in the East and lay

Pale and delicately formed, tentatively

Regarding the tasks for the day.

Wakening, warming gently, watching attentively.

 

Then, growing in strength and sullenness

Swelling, reddening and ageing,

Began to dry, to burn and scorch;

Settling finally in a deep burst of anger in the West.

 

Maxine Broadbent

 

 

Our new project Necklace of Stars is our first project under the restrictions of lockdown, so our usual workshops have been replaced by phone calls and emails. We’re working with older people in Derbyshire to make a collection of poems, writing, songs themed around lullabies and the night sky. These words will be recorded and exhibited in conversation with a quilt that is stitched with stars.

 

Lullabies often explore themes of safety and danger. The hush-a-bye baby has the cradle rocked gently by the tune of that old song, but then the cradle falls. In some of the poems that are starting to emerge, there is also a hint of danger. The bursting anger of the sun. Beyond the safety of our walls during lockdown lies threat — and yet those safe walls hold us in, can become prison-like.

 

The writers have all used their words to stretch out beyond the limitations of four walls, to dream of the wide world, floating like seed heads beyond all restrictions, or else travelling in memory to other times. Because of lockdown, and the sunny weather, there’s time for some people to really throw themselves into this work:

 

“I’m delighted. I’ve been out all day in the garden photographing flowers to inspire my writing. But now — I’m knackered!”

(Participant)

 

detail, design board

Liz Jennen’s embroidered star square, and fabric ready to be stitched.

 

Above and below, we have two poems from the growing collection — one a whole lifetime, told in the rising and setting of the sun, the other a lullaby of pure delight, a celebration of sunshine food:

 

 

Kingston Lullaby

 

Hush little baby don’t you cry

Mama’s gonna make you a plantain fry,

And if that plantain fry don’t please,

Mama’s gonna rustle up some rice and peas.

 

And if rice and peas don’t have appeal

Saltfish and ackee will be your next meal.

And if saltfish and ackee comes too slow,

Mama’s gonna pick you a ripe mango.

 

And if that mango’s not your wish,

Mama’s gonna make you a breadfruit dish.

And if that breadfruit dish is raw

Mama’s gonna find you a nice pawpaw.

 

And if all this ain’t got what it takes

Mama’s gonna fry you some jonnycakes.

And if even jonnycakes make you frown,

You’ll still be the fattest little baby in town.

 

Glen Mulliner

design board, NOS

Necklace of Stars, quilt in progress, samples by Lois Blackburn and Liz Jennens.

 

Todays blog was written by Philip Davenport, lead writer arthur+martha

A Necklace of Stars is a collaboration between housebound, isolated older people in Derbyshire,  arthur+martha,  Arts Derbyshire   DCC Public Health and Derbyshire County Council Home Library Service. 

A space to be normal

Necklace of Stars, Projects, quilts

All the structures of everything have gone. My brain space is in a muddle, little decisions have become difficult… I’m finding my brain is to busy- this (A Necklace of Stars) has given me space to be more normal. It’s a very interesting effect, it’s kick started me again.” Participant.

 

So much of this new project  a Necklace of Stars feels so familiar, the wonderful mix of participants,  bringing a wealth of different skills, experiences, levels of confidence, everyone bringing something different to the mix.

Many of the participants haven’t done any embroidery for many years. One women sounded very unconfident at the beginning of the conversation, not even wanting to do her own drawings:

 

I’ve not done any embroidery for donkey’s years, I used to do tray clothes, and ragging- hearth carpets. I’m not crafty-  but this sounds brilliant.” Participant

 

Jennens Liz

Liz’s embroidered square for a Necklace of Stars

 

Then much is surreal- our encounters are over the phone, through the post, our phone conversations move from life in a time of Covid, to embroidered tray cloths, lazy dazy stitch, grandchildren, to the fear of shopping, fear of the virus.  Occasionally it is painfully sad, the lady who was isolated, not just by her health conditions, but by the virus.

 

“I’m very lonely,  the only person I see is once a week, and that’s at a distance.” Participant

 

But everyone I’ve spoken to so far is keen to join in with the project. There is an innate understanding that keeping busy, keeping the hands and brains occupied doing something creative is a positive thing, now more than ever.

 

Before I got married, I used to embroider tray clothes. I’ve started knitting again for charity, the Red Cross.”  Participant

 

There is a real delight in the idea that their work will join others, combining together to create one piece. And always the excitement that the individuals will one day have an opportunity to get together, meet each other and celebrate their achievements on the project.

I might not have seen anybody stitch yet, but it’s still been a brilliant start to a project, full of hope. We’ve had our first embroidered square sent back to us from Liz, pictured above. We weren’t expecting any to come in the post for a while, so this was an extra special delight.

And selfishly, it’s helping me get through these times too. It gives focus to my days, something to look forward to- new ways of working, full of excitement and delight.

 

You’ve made my day.

“I’ve absolutely loved talking to you.”  Participants.

 

Lois Blackburn. Lead artist

star solar system

Lois’s sample solar system, for a Necklace of Stars

 

A Necklace of Stars is a collaboration between housebound, isolated older people in Derbyshire,  arthur+martha,  Arts Derbyshire   DCC Public Health and Derbyshire County Council Home Library Service. 

 

 

Press Release

Projects, quilts, War Widows Stories

War Widows’ Quilt Commemorates the Lives and Loves of War’s Forgotten Women

From 7–11 November 2019, The Queen’s House, Greenwich, will host the first ever exhibition of the War Widows’ Quilt. Made from armed forces shirts by over ninety war widows and their family members, this beautiful and moving piece of art tells many individual stories of love, loss, and grief while also shining a light on the ongoing history of war widowhood in the UK.

War Widows' Quilt test

 

The quilt, made in collaboration with arts company arthur+martha, is part of the War Widows’ Stories project, led by Dr Nadine Muller (Senior Lecturer in English Literature & Cultural History, Liverpool John Moores University) and the War Widows’ Association of Great Britain (WWA).

 

Commenting on the forthcoming exhibition, Dr Muller said:

 

“We started work on the quilt exactly a year ago in this very same venue, and nobody could have predicted then what an impactful piece of art this would become. The War Widows’ Quilt tells so many moving stories, shares so many cherished memories, and expresses so much grief as well as hope. It is a magnificent, important memorial.”

 

Theresa Davidson, whose husband served in the Scots Guards and died in the Falklands in 1982, commented:

 

“I feel such pride and real honour to share my love and grief. The love, grief, loss, and pain never leaves you. It is my own personal war!”

 

Another war widow, Angela Evans, reflected on the profound effect that contributing to the quilt had on her:

 

“It’s from the heart. One day you have everything, then the next day you’ve got nothing. Somehow it helps to say something, to express it out loud.”

 

McMenemy Alberta

 

Lead artist Lois Blackburn (arthur+martha) reflects on her work on the quilt:

 

“Sewing together the pieces into a final quilt felt a giant responsibility, but one for which I remain very grateful. I selected fabrics that had been worn by the armed forces. I carefully took apart fifty military shirts to make patches and chose a patchwork technique that deliberately echoes the quilts made by British servicemen during the Crimean War.”

 

Mrs Mary Moreland, WWA Chair, highlights the importance of this project for the Association, its members, and the wider war widows community:

 

“The quilt and the project help the Association raise awareness of the challenges war widows face every day. Our voices are sadly still absent from most public institutions, including museums. We cannot tell the stories of war without the stories of those left behind.”

 

The quilt helps address a significant gap in the public histories of war, says Sue Prichard, Senior Curator (Arts) at Royal Museums Greenwich:

 

“The Queen’s House has long been the site of female power and patronage. As such we actively seek opportunities to reveal the untold female narratives inherent in our collections. It is therefore wholly appropriate that we take this opportunity to commemorate the experiences of contemporary women within the wider context of conflict on land and at sea”.

 

The exhibition will be marked with a special celebration event at The Queen’s House on Friday, 8 November, 5–8PM. On Saturday, 9 November, artists Lois Blackburn and Phil Davenport will be hosting drop in embroidery sessions and guidance to the quilt.

War Widows’ Stories is funded by the Arts & Humanities Research Council, Arts Council England, the British Academy, and the Heritage Lottery Fund, and it is run in partnership with Royal Museums Greenwich, the National Memorial Arboretum, and Imperial War Museums.

boarder

A question of survival

Projects, quilts, War Widows Stories

There are many lessons for me to learn during every arthur+martha project. Our involvement with War Widows’ Stories, comes with a steep and sometimes painful learning curve.

Like how many wars there have been involving the United Kingdom since World War Two, many names I’m familiar with; The Troubles, Falklands War, the Gulf War, Bosnian, Afghanistan, Iraq… but many others I was unaware the British fought in- The Malayan Emergency, Greek Civil War,  the Korean War- I’ve now met 2 war widows’ whose husbands died as a result of the Korean war, they call it the forgotten war. Both their quilt contributions have the word Korea embroidered- a lesson in stitch. And each of these wars results in war widows, and children without parents, on both sides of the conflict, brought into focus by the women I meet;

‘Your world is turned upside down, but you have a baby kicking inside you, so you’ve got to get on with it- life goes on.

In April my mum was widowed, in May I was a widow, in June my son was born.’ Kath

Sylvia signature

This is a project that carries weight and responsibility. Yesterday I met Kath, who had campaigned for years to have her husbands name publicly on show somewhere in his home town, a name plaque to mark giving up his life for his country. It took years, finally with the support of The British Legion she achieved it, his name is honoured in his local church. Other women I have spoken to have told me their desire to have their husbands names publicly displayed. It’s been the inspiration to have their names stitched onto the quilt, alongside the war widows themselves. It’s a small contribution, carefully, slowly stitched.

 

Typically our projects are run with repeated visits to people, in group settings. This allows for participants to slowly build their confidence and their skills. For War Widows’ Stories, we have a number of group workshops, but also wanted to bring in the voices of other women- ones who couldn’t travel to the workshops. So far I’ve done four home visits up and down the country,  and enjoyed everyone of them. One to one sessions allow a quick, intense, meaningful, getting to know someone, revealing a flavour of their story. During the visits so far we haven’t started stitching as I hoped we would, instead I often find I am stitching participants designs on their behalf. For some they haven’t the physical ability, some it’s confidence of their skills- this is the drawback of a one-off visit, skills and confidence development. But their words, handwriting and drawings say so much.

And finally for today, the constant repeated theme of the project- survival, the getting on with it. Kath, like so many stories I’ve heard was left widowed desperately short of money,  she went to a board of men to ask for a bit more money for the 6 week baby- they told her ‘You’re young enough to get married again, and go back to work’…

‘A question of survival. Four buses to work, four buses home. It was all buses and work. Self survival, going to work, coming home, bed and work and Robert my son.’  Kath

question of survival

One of Kath’s squares for the War Widows’ Quilt

Written by Lois Blackburn

The War Widows’ Quilt is being made as part of the War Widows’ Stories project.  The project is supported by Arts Council England, the Arts & Humanities Research Council, the British Academy, Liverpool John Moores University, Royal Museums Greenwich, the Imperial War Museums, the National Memorial Arboretum and the Heritage Lottery Fund.