The making of a page

A Book of Ours, Projects

Artist Lois Blackburn describes some of the processes in the creation of a page of A Book of Ours.

Creating the artwork for the Book of Ours has been a true collaborative process. Occasional pages have been made by one person, but most have the hands of 2 or 3, some pages have multiple artists and writers. This is a fitting tribute to the Medieval Illuminated Manuscripts that inspire our book. Each element was created by a different person (in the Western tradition usually monks) the parchment, the scribe, the illuminator, the book binder… For us, it means we can offer many ways for people to shine, be it writing, drawing, calligraphy, painting…

The illustration in the medieval manuscript was functional as well as decorative, marking the beginnings of important texts, and helping the reader to find their way around the book. The illustrations worked together to inform the reader, to tell the story. The Book of Ours, borrows from all these traditions, with artworks inspired by the poetry, or by themes and images directly from the medieval manuscripts.

During the last year, under lock downs and Covid restrictions, we have had to adapt our workshops, with smaller groups when we were lucky enough to meet at The Booth Centre and Back on Track, and remote ways of working, using on-line resources and the post. I contribute with themes, inspiration, resources, examples, creating a page template with space for illustrations and text. Sometimes I have much more input into the book pages. For instance one of the last pages in the book ‘The prospect of a bath’.

My first step was to block out the page, with space for the illustration, and space for Andrew’s beautiful poem, ‘The prospect of a bath’. Using transfer paper, I copied Andrew’s hand written poem onto the manuscript page. This in turn was written over with calligraphy pen and ink. I will always use people’s own handwriting where I can, and keep spelling and layout as unedited as possible.

I had been sent in the post a tender angel drawing, from C Blackwood, which I copied onto the page, creating the image in inks rather than felt pen, but keeping it as true to the original as I could.

Looking at medieval manuscripts for further inspiration, I found an image (see below on the left) that irresistibly fitted the theme, and one that could showcase C. Blackwood’s angel. The resulting page has perhaps more of ‘me’ in than I would like- normally a page like this would go backwards and forwards to various makers more often. However it does showcase the Andrew’s poem, and C.Blackwood’s angel, so I hope they will be pleased.

arthur+martha work with homeless and vulnerable people to participate in making the illuminated manuscript BOOK OF OURS. This project is partnered by the Booth Centre and Back on Track and supported by the Heritage Lottery.

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